Harry P. Guy - Biography
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Harry P. Guy, pianist, composer and Ragtime performing artist lived from 1870
to 1950. On Saturday, October 11, 2003, a headstone was placed on his grave in
Detroit’s historic Elmwood Cemetery. In 1895 Harry P settled in Detroit where
he pursued a significant but nearly forgotten career as a musician. He died in
Detroit in 1950. Noted musicologist, Arthur LaBrew has researched and written
much of what is known about Harry P. Guy.
Born in Zanesville Ohio, July 17, 1870 Guy studied piano, violin and organ at
an early age. Moving to Cincinnati sometime in the 1880s he continued to study
music and worked as an accompanist for several performing groups including the
Cincinnati Opera Club. In 1887 his efforts as a composer finally paid – off
with the publishing of his first work: “The Floweret Waltz” by Ilson & Co. By
1890 he had moved to New York to study at the National Conservatory of Music.
Cellist Victor Herbert was one of his professors. While in New York Guy
immersed himself in the musical life of the Black community, opening a piano
studio, and performing in concerts, including an appearance at Carnegie Hall.
It is during this time he also accompanied the Fisk Jubilee Singers.
After completing studies at the Conservatory, Harry P left a teaching position
at Paul Quinn College in Waco, Texas to follow a certain young lady (Julia
Owens) to Detroit. Detroit was host to many of the best vaudeville shows, and
concerts series of the time making it a good place for him to hone and ply his
considerable musical talent and skill. He played in the Finney Orchestra, the
Detroit City Band, and conducted a small ensemble of his own.
For more than 10 years Guy was the Music Minister at St. Matthew Episcopal
Church in Detroit. At St. Matthew he created an enviable musical environment
and was instrumental in starting a boy’s choir. He also founded the first
African American Music Academy in Detroit.
It is said that the premiere Ragtime performers of the day came to Detroit to
play with Harry P. Guy. With a reputation as an excellent pianist, arranger and
composer, Guy worked for the leading music publishers of the day. One of those
publishers was the Jerome Remick Publishing Company. The Remick Company
published sheet music from its offices in Detroit and New York City.
Thanks goes to Detroit jazz pianist, Kenneth Cox and the Societe of the
Culturally Concerned who led the campaign to purchase and place the headstone,
and for bringing the rich legacy and contribution of Harry P. Guy to 21st
century light.
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